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Capítulo 1: Intro

0:000 segundoWhen the researchers began filling these chips with information, [music] what happened was there was so much information that was being stored, they

0:099 segundossaid, "This droplet of water cannot possibly store that amount of information." One of the things they discovered [music] is that the silica

0:1818 segundosthat we've used in the past has limitations for the amount of information that can be stored on that silicon chip. The new chips are actually

0:2727 segundosbased upon a single droplet of water. A growing body of scientific evidence now suggests that [music] we do not hold memory in the neurons in our bodies.

0:3939 segundosThey were pumping tremendous amounts, libraries of information [music] into this chip. And the mystery was where's the information being stored?

0:4747 segundos[music] And they realized that the information was not confined to the droplet of water.

Capítulo 2: What Our Films Are Telling Us

0:5959 segundosA new school of thought suggests that consciousness informs itself through its creations, through its art, music,

1:071 minuto e 7 segundosbooks, and movies. With this idea in mind, when we look at the themes of some of the most popular movies of our time,

1:151 minuto e 15 segundoswhat are those movies telling us about ourselves? If consciousness is informing us of something that we need to know

1:231 minuto e 23 segundos[music] about ourselves through the things that we create to remind ourselves of ourselves, what are those films telling us? Well, examples include

1:321 minuto e 32 segundoshugely popular movies like The Matrix, [music] for example, or Avatar or the movie Inception. What are films like these saying to us?

1:401 minuto e 40 segundosWhat part of our reality are they reminding us of? Well, if we look at the common themes, they'll give us a clue.

1:461 minuto e 46 segundos[music] As different as they are from one another, each of these movies is suggesting number one that there is a world that [music] exists we simply cannot see from our limited perspective.

1:581 minuto e 58 segundosBut this world influences our everyday lives. Number two, we're told that we're limited in our lives only until we wake

2:082 minutos e 8 segundosup to the parameters of this unseen world. Number three, they're telling us that everyone has the ability to do just

2:162 minutos e 16 segundosthat, to wake up and to transcend the limits of their lives that begin [music] with the events in the world that we

2:232 minutos e 23 segundoscan't even see. The success of a recent movie, the 2017 movie Arrival, [music] is another beautiful example of what I

2:302 minutos e 30 segundosmean here. And it opens the door to precisely what I want to talk about in this episode. The theme of the arrival

2:382 minutos e 38 segundosis so powerful [music] and maybe one of the most powerful, underrated, and perhaps hopeful messages seen in modern times because beyond the

2:472 minutos e 47 segundostheme of the ETS and of the conflict and UFOs and the special effects, what the movie is saying to us is that there is a

2:562 minutos e 56 segundosmessage and the message is very very simple. The message says that the language that we use in our everyday

3:033 minutos e 3 segundoslives determines the way our brain connects the neurons and in turn the way that we think and even what we think

3:113 minutos e 11 segundosabout. And we invite you to think about what I just said. This movie is suggesting somehow that the words that

3:183 minutos e 18 segundoswe use to communicate day in and day out, they're more than simply words.

3:253 minutos e 25 segundosthat they actually are directly linked to the neurons in our brain. Now, if you've ever thought about the power of

3:343 minutos e 34 segundosjust being able to speak, I I'd like to share with you just how potent that ability is unto itself. And that will

3:433 minutos e 43 segundoslead us into the power of the language itself.

3:473 minutos e 47 segundosWhen we speak, when we say the words to convey what it [music] is that we're thinking and feeling in our lives,

3:543 minutos e 54 segundoswhat we're really doing is a series of steps that begins with one of the most intimate acts that we could ever imagine. We invite into the deepest

4:044 minutos e 4 segundosrecesses of our bodies, the breath of life from the world beyond our bodies.

4:104 minutos e 10 segundosWe breathe in what is called the sacred [music] breath.

4:134 minutos e 13 segundosWe breathe it into our bodies and we draw it deep into our diaphragm. And once that breath is in the diaphragm, we

4:224 minutos e 22 segundosbegin to massage that breath [music] with our diaphragm with the muscles in our diaphragm in a very precise way. We

4:284 minutos e 28 segundosflutter the diaphragm just the right way to now direct the air back from where it

4:354 minutos e 35 segundosjust came back through the passages over the muscles in our [music] throat that

4:424 minutos e 42 segundosvibrate and undulate in just the right way [music] at just the right time to create the acoustic vibrations that

4:494 minutos e 49 segundosallow what we were thinking to be emitted from our body from our mouth back [music] into the air around us as

4:574 minutos e 57 segundosmessages. meages that become precisely that the messages that are interpreted through the eardrums of the people that

5:045 minutos e 4 segundoswe're speaking with. Wow. When you think about that, what masters we are, what masters we are at the communication. But

5:125 minutos e 12 segundoswhat our ancestors are telling us is that the language that we are using to convey that sacred acoustic vibration

5:215 minutos e 21 segundos[music] that language is really where the action is. So the English language as well as many others [music] is based

5:285 minutos e 28 segundosupon principles of separation. And that separation is reflected in the ideas that it embraces. Separate and isolated

5:365 minutos e 36 segundosthinking about things like you versus me or them versus us. We think about winners and losers. This is the language

5:455 minutos e 45 segundosof conflict and war. Language [music] based in connection creates a very very different kind of experience, different

5:535 minutos e 53 segundoskind of thinking. A language based in connection is unity thinking. This is the language of evolution, of community,

6:016 minutos e 1 segundoof cooperation. So the bottom line to what I'm saying to you here is that we change the language. We change the brain. Or [music] stated another way,

6:106 minutos e 10 segundoschange the language, change the way the [music] brain accesses the matrix. Well, these ideas are central to the theme of the arrival. And here's what I mean.

Capítulo 3: Memory Is Not In Your Neurons

6:216 minutos e 21 segundosA growing body of scientific evidence now suggests that we do not hold memory

6:286 minutos e 28 segundosin the neurons in our bodies. We now know we have neurons in the heart as well as the brain. What these

6:356 minutos e 35 segundosdiscoveries are showing us is that those neurons [music] are not what contain the memory. Rather the neurons we can think

6:446 minutos e 44 segundosof as antenna, biological antenna, soft antenna that tune to the place in the

6:526 minutos e 52 segundosfield in the matrix where our memories actually reside. Now this idea is more [music] than just a metaphor. It's more

7:017 minutos e 1 segundothan just a theory. What I'm saying to you is so real that engineers are actually now beginning to design the

7:087 minutos e 8 segundosnext generation of computer chips based [music] precisely on this idea. When engineers were working with futuristic

Capítulo 4: A Chip Made Of Water

7:187 minutos e 18 segundostechnologies and were saying where is our computer technology going to go? One of the things they discovered [music] is

7:257 minutos e 25 segundosthat the silica that we've used in the past has limitations for the amount of information that can be [music] stored

7:327 minutos e 32 segundoson that silicon chip. So they began looking to nature. Where in nature can we find [music] the material that could

7:407 minutos e 40 segundoscontain the vast amounts of information that we're now beginning to access? And they chose water. The new chips are

7:487 minutos e 48 segundosactually based upon a single droplet of water. Now, this isn't tap water from the bathroom. It's it's highly refined,

7:557 minutos e 55 segundoshighly structured water compressed into a chip that interfaces with [music] the

8:038 minutos e 3 segundosmachine with the computer as we know it today. When the researchers began filling these chips with information,

8:108 minutos e 10 segundoswhat happened was there was so much information that [music] was being stored, they said, "This droplet of water cannot possibly store that amount

8:198 minutos e 19 segundosof information." They were pumping tremendous amounts, libraries of information into this chip. And the mystery was where's the information

8:278 minutos e 27 segundosbeing stored? And they realized that the information was not confined to the droplet of water. The information was

8:358 minutos e 35 segundosbeing held in a [music] field that is linked to that droplet of water. The information was actually being held in a field that extended beyond the machine

8:448 minutos e 44 segundositself. I know this is a very different way of thinking, but this is how we learn. This is how science arrives at the new understandings

8:518 minutos e 51 segundosthat lead us to deeper understandings perhaps the deepest truths of our existence. So the information doesn't

8:598 minutos e 59 segundoslive in our brains. It doesn't live in our hearts. It doesn't live in ourselves. The information is stored in the world around us. And because of that

9:089 minutos e 8 segundosbecause of that [music] the way we access that information plays a very very powerful role in our lives.

9:159 minutos e 15 segundosSo, I'd like to share a story, and this is a true story, of precisely what the information I just shared with you means

Capítulo 5: A True Story From New Mexico

9:239 minutos e 23 segundosin our lives. Uh, I live in an artist community, a very creative community in northern New Mexico. Uh, a lot of

9:319 minutos e 31 segundosartists, visual artists, sculptors, uh, musicians, writers, all come together in the beauty of the high desert of

9:399 minutos e 39 segundosnorthern New Mexico to create what they create. And it's always been that way.

9:429 minutos e 42 segundosGeorge O'Keefe for example, Ancel Adams made their home. DH Lawrence, they all made their homes in this part of the world because it supports this this

9:509 minutos e 50 segundoscreative spirit. Well, one of the interesting things that I've seen in my community, and if you're an artist, you may have experienced this as well, [music] is that a lot of times the

9:599 minutos e 59 segundosartists have a hard time supporting themselves through their creations. So, they end up with other jobs to make the income that allows them to create

10:0710 minutos e 7 segundos[music] the things that they love. And the story I'm going to share with you is a story of precisely [music]

10:1310 minutos e 13 segundossuch an artist, but it relates to the way information is stored in a field and what [music] it can mean to a creation.

10:1910 minutos e 19 segundosSo I had a dear friend of mine, musician, keyboard artist who had just created one of the most awesomely beautiful, mystical, compelling,

10:2810 minutos e 28 segundosintriguing pieces of music that I had ever heard. And I said, "Wow, I can't wait until that becomes available." Well, to my musician friend, it wasn't [music] ready for the world.

10:3910 minutos e 39 segundosHe said, 'You know, I like what I've done. He said, but it's not quite ready for the world yet. He says, I'm going to take it in the studio and do some more work. So, he would go into the studio.

10:4810 minutos e 48 segundosHe'd spend all of his money honing and refining this masterful piece [music] of work, and he'd run out of money. And then he would spend 6 months working in

10:5610 minutos e 56 segundosa restaurant or in a bar somewhere, saving enough money to go back into the studio so he could work and refine and hone this again and [music] again. And

11:0411 minutos e 4 segundosthis went on for over a year. So I had an [music] event, speaking event in the Los Angeles area. My friend picked me up

11:1211 minutos e 12 segundosat the Los Angeles airport at LAX and we got into the car and I turned on the radio and when I turned on the radio, my friend's music was playing on the radio.

11:2411 minutos e 24 segundosNot the words to the [music] song, but the music that he had been working on that he'd been honing and refining for months. And he looked at me and he said,

11:3311 minutos e 33 segundos"That's my song." And I said, 'Well, I said, ' That was your song.' I said, 'The universe tapped you on the

11:4111 minutos e 41 segundosshoulder. The universe [music] directed you with inspiration. You were given the gift of this song to share with the world. And you felt that the

11:4911 minutos e 49 segundosworld wasn't quite ready or maybe the music wasn't ready to share with the world yet. But once you anchored [music] your

11:5711 minutos e 57 segundoscreation in the field, it wasn't held in the cells of your brain or your heart.

12:0412 minutos e 4 segundosIt's in the field around us. And what that means, it's available for anyone who is tuned into that place in the field. There are other creative people

12:1212 minutos e 12 segundosout there. Creative people who are reaching deep within themselves to create something new, to create

12:1912 minutos e 19 segundossomething, a new higher expression of whatever it is. And it is their desire

12:2612 minutos e 26 segundosto create. It is them reaching within themselves to create that actually

12:3312 minutos e 33 segundosallows them access to the field where your music was living. So you didn't share your music with the universe, but the universe made sure that it was out

12:4112 minutos e 41 segundosthere. And this was a very very powerful lesson for my friend. Uh I've had the same experience when it comes to book titles. [music] For example, I've

12:4912 minutos e 49 segundosanchored very very good titles for the books and I said, you know, I'm not ready to write that book yet. 2 months, 3 months later, somebody else I look on

12:5712 minutos e 57 segundosAmazon and there is that book title, that exact book title and even the same subtitle [music] that I never shared with anyone. How did that happen? It's

13:0413 minutos e 4 segundosin the field. The reason I'm sharing this with you right now and I want to speak directly [music] to you is because each of you have a creative impulse. And

13:1313 minutos e 13 segundoswhen the universe gives you the gift of a creation and taps you on the shoulder and [music] says, "Here is something to

13:2013 minutos e 20 segundosshare with the world," that inspiration means the world is ready for your creation in that moment. And I'm going

13:2813 minutos e 28 segundosto invite you, please share your gifts with the world because we need what you're creating. You never know how your

13:3513 minutos e 35 segundoscreation is going to influence or impact someone in this world [music] when you share it with them. But the fact that you have that inspiration tells me that

13:4413 minutos e 44 segundosthe world is ready for whatever it is you've created. So, please share your creations with the world. Thanks for watching all the way through.

13:5213 minutos e 52 segundosThere's a whole library of this waiting for you. Subscribe, turn the bell [music] on, and watch the next video on this channel.

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